Salaar Part 1: Ceasefire vs Dunki

In a tumultuous turn of events, the controversy surrounding the release of Salaar Part 1: Ceasefire in north India has taken an emotional toll on cinema enthusiasts. Allegations of interference from Dunki makers have added fuel to the fire, leading to threats of withdrawal from cinemas. Manoj Desai of Gaiety Galaxy, Mumbai, voiced frustration, claiming he's being prevented from opening Salaar bookings. As the clash unfolds, the burning question arises: Are these conflicts between filmmakers and exhibitors becoming a new, detrimental trend in the film industry, jeopardizing the experience for both creators and audiences alike?